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 Art of the Theatre in Israel
February 16, 1971

Art of the Theatre in Israel

Complete set of 3 nos. of postage stamps on Israeli Arts & Culture : Theatre in IsraelĀ :

Theatre in IsraelArt of the Theatre in IsraelIsraeli Arts & CultureIssued by Israel

Issued on 16 Feb, 1971

The DesignerĀ : The stamps were designed by E. Weishoff, Tel Aviv

Type : Stamps, Mint Condition

Colour :Ā Multi colour

Denomination : 50 Agorot each

About :Ā 

  • THE INBAL DANCE THEATRE:
    • The Inbal Dance Theatre was founded in 1949 by Mrs. Sarah Levi-Tanai, who is also the theatreā€™s choreographer. Inbal has created a new style of the dance, based on the traditions in music and body movements of the various Jewish communities, especially the Oriental ones.
    • The twenty years Inbal has existed have witnessed the development of a rich and variegated repertoire, constituting a valuable contribution to Israelā€™s renascent culture. The companyā€™s dance programmes are inspired by one of five areas: the Bible, the folklore of the different communities, Jewish tradition, landscape, and the new Israel.
    • The Inbal Dance Theatre has toured foreign countries six times ā€“ twice in the U.S. and Canada, three times in Europe, and once in Hong Kong and Australia. In 1962, the company appeared in Paris at the Theatre des Nations which acclaimed Mrs. Sarah Levi-Tannai the best choreographer of the year.
    • The maintenance of an active and effervescent opera company is a challenge everywhere, and many richer countries than Israel have not yet succeeded in achieving this. The fact that Israel has done so is most encouraging, and the Opera management is prepared to continue its efforts to this end in the future as well.
    • The Operaā€™s rich repertoire enables it to provide as many as 15 different productions in the course of a month. The Operas are sung in Hebrew, Italian, and French, but are understood by all, as the Operaā€™s language is a universal one.
  • THE ISRAEL NATIONAL OPERA:
    • The Israel Opera Company was founded in Tel Aviv on November 29, 1947, by Edis de Philippe, who is the Operaā€™s director.
    • In its first ten years, the company gave 1000 performances. Thereafter, it moved from the Habima Theatre to its own hall ā€“ the building which had housed Israelā€™s first Knesset ā€“ and in the ensuing 14 years, the total number of performances reached 3250 operas, operettas, and ballets. The company also takes its production to the major cities and other places under the aegis of the ā€œArt to the Peopleā€ programme.
    • The Israel Opera has 230 employees, most of them Israelis. It is the only opera group in the world that performs 50 weeks a year.
    • Great artists from East and West, from famous companies such as New Yorkā€™s Metropolitan, Milanoā€™s La Scala, and those of Vienna, Paris, Sofia, Berlin, Moscow, Warsaw, etc. have appeared along with Israel singers, in performances led by Israelā€™s most gifted conductors.
    • The Opera has trained a whole generation of Israel singers, who have been entrusted with leading roles according to their ability.
  • THE CAMERI THEATRE:
    • The Cameri Theatre was founded in December 1944. Its establishment affected many facets of theatrical activity in Israel, from the choice of plays to the design of sets; it was accomplished by a group of young actors headed by producer Joseph Millo, who was the Cameriā€™s artistic director and guiding light. The young troupe began to present plays with modern and imaginative staging and realistic acting, and the actors used everyday language spoken in a natural manner. All this was quite different from the style of presentation then current in the country, and the contemporary quality which the Cameri brought to the Israel theatre aroused an immediate response. Especially delighted was the younger Israel-born generation, which felt that the Cameri was their own theatre, an expression of their own taste and spirit.
    • In the 25 years of its existence, the Cameri Theatre troupe of forty artists has produced 160 plays, classic as well as modern, Israel as well as foreign. Among them were plays by Shakespeare, Aeschylus, Buechner, Gogol, Chekhov, MoliĆØre, Ibsen, Kafka, Shaw, Brecht, Garcia Lorca, Oā€™Casey, Steinbeck, Pagnol, Oā€™Neill, Miller, Durenmatt, and Pinter, to name just a few. The most outstanding of the Israel plays produced by the Cameri were Shamirā€™s They Will Be Here Tomorrow, Leah Goldbergā€™s The Castle, Mossinsohnā€™s Casablan, Aloniā€™s The Revolution and the Chicken, Gronemann-Altermanā€™s King Solomon and the Cobbler, and Altermanā€™s Kinneret, Kinneret.
    • In addition to the Cameriā€™s two permanent stage directors, Gershon Plotkin and Shmuel Bunim, numerous local and foreign directors have staged Cameri productions, all in cooperation with the most talented Israel composers and set designers.
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